Artist: Ray LaMontagne
Album: God Willin’ and the Creek Don’t Rise
Release Date: August 17th, 2010
Label: RCA
The fact that we all go back to our roots is a common truth for all mankind. It seems we are victim to our own habits no matter how much effort is put into changing them. How we use those tendencies can either make our lives better or make us lazy. When it comes to the new Ray LaMontagne record, it’s definitely making my life better. This is the kind of music I was born to listen to.
After hearing the line “Momma’s got a few tomatoes, gonna put ‘em on the griddle and fry ‘em” and having it remind me of my childhood it was yet another specific moment where I realized that there is more “country mouse” in me than “city mouse.” I’ve always known I would rather live in a town of 300 than 3 million but recently I’ve come to learn that I prefer a higher ratio of cows to cars lining the freeway into work.
I grew up in a classic country setting where Hank Williams and Patsy Cline were the kings and queens and bluegrass pickin’ was the scepter by which the music ruled. While that genre of music may not have been my top choice throughout my youth, it’s beginning to set its roots into all the music I find myself currently loving.
Music tastes refine themselves over time and similar to wine and whisky, music can be a comfort and a muse. As certain fads from youth fall away as the CDs get sold off (screamo and emo) the type of music that is really “me” begins to surface (Punk & Americana). It seems there are fewer and fewer records that really win me over full force but when I find a record that does… it really hooks me.
Ray LaMontagne and the Pariah Dogs “God Willin’ and the Creek Don’t Rise” passes every required checkpoint on the way to becoming the perfect record for me.
- Ray’s band has the ultimate backing band name. All the best are Band Leader and the So and so’s. Just ask Tom Petty, Bruce Springsteen, Joe Strummer or even Ben Harper (Relentless7 is a terrible backing band name though).
- An absolutely brilliant album title from a slightly archaic phrase used by depression era great-grandparents such as my own. I suggest Ray and the Dogs title their next record “For Cryin’ Out Loud in a Bucket”
- Perfect lyrics cut from life. They’re deceptively simple and deeply earnest.
- A laid back album built on a solid foundation of rhythm and blues.
So for a kid like me, an illustrator and designer who prefers living in the setting sun of the Kansas prairie as opposed to the glistening lights of NYC where most in my profession find work under the white glow of fluorescent lights, songs like “New York City’s Killing Me” shines like a lighthouse amidst all the terrible music that has found its way to shore in 2010. It’s also refreshing to find that Ray himself prefers country life, he shies away from the glitz and just writes a good song whenever it comes to him and reads a book when there is no song to be had.
If you’re a fan of Ray already, I needn’t convince you of this album’s brilliance. But for the rest of you, those who like music that comes from the roots, music built on rhythm and tinted blue, home-cooked lyrics and a smoky vibe to chase it down, this record is for you.


Yankees fans see winning all the time, while Royals fans get countless opportunities to appreciate the potential in losing, the possibilities in blown saves and powerless hitters missing the big hit. There are no expectations of coming in 3rd in the division, let alone winning the division, nor are there expectations of winning a playoff series, or taking the pennant or being in the World Series. Winning the World Series? Are the Royals even allowed to do that anymore?
It’s an eternal struggle for bands to evolve and create new music without going stale or repulsing their fan base. I’m sure it’s extremely frustrating for musicians to create songs they feel are their best work yet only for fans to yell out song titles from their very first LP of decade-old songs. 









